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Baile funk : ウィキペディア英語版
Funk carioca

Funk carioca, favela funk and, elsewhere in the world, baile funk, is a type of dance music from Rio de Janeiro, derived from Miami bass and African style music.〔()〕
"Baile funk", in Brazil, refers not to the music, but to the actual parties or discothèques in which the music is played.〔()〕 Although originated in Rio, funk carioca has become increasingly popular amongst working classes in other parts of Brazil. In the whole country, funk carioca is most often simply known as funk, although it is very different musically from what funk means in most other places.〔Yúdice, George. "The Funkification of Rio." In Microphone Fiends, 193-220. London: Routledge, 1994.〕
==Overview==

Carioca Funk was once a direct derivative of Miami bass and freestyle (another Miami-based genre) music from the United States. The reason why these genres, very localized in the USA, became popular and influential in Rio de Janeiro is due to proximity. Miami was a popular plane stop for Rio DJs to buy the latest American records.
Carioca Funk was popularized in the 1980s in Rio de Janeiro's favelas, the city's slums. From the mid-1990s on, it was a mainstream phenomenon in Brazil. Funk songs discuss topics as varyied as poverty, human dignity, racial pride of black people, sex (breaking its moral values), violence and social injustice. Social analysts believe that carioca funk is a genuine expression of the severe social issues that burden the poor and black people in Rio.
The rhythms of carioca funk in its early days were mostly loops of electronic drums from Miami bass or freestyle records, while a few artists composed them with actual drum machines. The most common drum beat was a loop of DJ Battery Brain's "808 volt", commonly referred to as "Voltmix", though Hassan's "Pump Up The Party" is also notable. Nowadays, carioca funk rhythms are mostly based on tamborzão rhythms instead of the older drum machine loops.
Melodies are usually sampled. Older songs typically chopped up freestyle samples for the melody, or had none at all. Modern funk uses a set of samples from various sources, notably horn and accordion stabs, as well as the horn intro to the "Rocky" theme. Funk music has always used a small catalog of rhythms and samples which almost all songs take from (commonly with several in the same song). Funk carioca songs can either be instrumental or include rapping, singing, or something in between the two.〔〔(【引用サイトリンク】title=RIOFUNK.org - INFORMATION ABOUT BAILE FUNK !!! )
note http://articles.chicagotribune.com/1994-02-17/news/9402170301_1_funk-samba-manoel-ribeiro was actually one of the first references to Funk music.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Funk carioca」の詳細全文を読む



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